-
-
BUTTER
May 2026Lane Gallery London is pleased to present BUTTER, a group exhibition featuring works by Gwenyth Fugard, Manon Steyaert, and Vasylyna Vrublevska. The exhibition brings together three distinct voices in an exploration of texture, materiality, and subtle transformation. On view at 31 St George Street, London, W1S 2FJ
-
BUTTER Private Previews
21 May 2026 -
'Aftershocks' by Olga Sabko
November 2025In 'Aftershocks" Olga Sabko explores the lingering movements that follow rupture, the reverberations that persist beyond the eventitself. Drawing on personal memory and material process, works from the Black Cloud an Ambiguous series trace connections between geological and emotional experience, inviting viewers to sense what remains after disruption and how its effects continue to unforl.
-
'A Fast, Bright Dust' by Richard Höglund
October 2025/exhibitions/Lane Gallery London is pleased to present A Fast, Bright Dust, a solo exhibition by Richard Höglund, on view at 31 St George Street, London. The exhibition takes its title from Anne Carson’s writing on Mimnermos and her translations of fragments of his poetry. The series is grounded in Höglund’s reflections on light and theories suggesting that rays of sunlight carry information, together with his longstanding fascination with representations of the Egyptian god Aton. Each painting features linear elements rendered in pure gold over quiet, spectral fields. Evoking the colours of light seen from an airplane window over the Arctic North, the works bring historical pigments such as lapis lazuli, cinnabar, and Naples yellow into dialogue with titanium white, opening these materials to new expressive possibilities.
-
'Black Sun' by Vasylyna Vrublevska
2 - 8 November 2024Lane Gallery London is pleased to present Black Sun, a solo exhibition by Ukrainian photographer Vasylyna Vrublevska, featuring a compelling new series. This exhibition offers an intimate look at the artist’s... -
Introducing: Richard Höglund
Born in Sumter, South Carolina, Richard Höglund has developed a research-driven practice rooted in drawing, which he regards as the most immediate articulation of thought before it becomes language. Educated in Boston and Strasbourg, his work is layered with literary, historical, and philosophical references, and often realised through unconventional materials such as marble dust, pulverised bone, shells, and precious metals. These materials, transformed by Höglund's hand, serve as conduits for meditations on memory, light, and permanence.
Höglund describes his process: "The colour, reminiscent of light spectra visible from the window of an airplane over the Arctic North, is made by confronting my usual palette for primary colours-lapis lazuli, cinnabar, and Naples yellow-with titanium white, which pushes these historical pigments into new territory."
-
